Can you
Compare Today’s Rape Victims to Draupadi?
Written
by Dr. Seshadri Kumar, 04 May, 2013
Copyright © Dr. Seshadri Kumar. All Rights Reserved.
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Disclaimer: All the opinions expressed in this article are
the opinions of Dr. Seshadri Kumar alone and should not be construed to mean
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otherwise in the article.
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In recent times, there has been a tendency in India to invoke
the name of Draupadi, the unfortunate heroine from the Hindu epic Mahabharata,
in
a variety of contexts. Satirists and
cartoonists often liken the nation (India) to Draupadi herself, with
politicians stripping her of everything through scams. Mother India, as Draupadi, beseeches the
Prime Minister for help; as Dhritarashtra was in the epic, Manmohan Singh is
silent at this injustice. Others,
outraged by the several recent incidences of rapes
of women in India, compare the
plight of the rape victims to that of Draupadi being disrobed
in the assembly during the game of dice.
How valid are these comparisons? What was the status of women at the time of
the Mahabharata? Was Draupadi really the
model of a liberated woman who insisted on getting justice for the wrongs done
to her, and succeeded? And is the fact
that women today are unable to get that kind of justice a reflection of a
weakening of women’s status in Indian society, as some believe? Were women better off in the hoary past?
To understand the answers to these questions better, let us
look at some particulars of what happened to Draupadi in the Mahabharata.
The
Game of Dice
The Game of Dice is an important incident in the epic
Mahabharata, in which the Kauravas, jealous of the prosperity of their cousins
the Pandavas, invite them to play a game of dice with them in their court at
Hastinapura, in the specially-constructed assembly hall. Shakuni, the uncle of Duryodhana, the eldest
Kaurava, who will play the eldest Pandava, Yudhishthira, in the game that
follows, is a master at the game.
Yudhishthira is fond of gambling but is not skilled at
it. He recognizes the dangers of playing
dice, but out of politeness, cannot decline the invitation. Yudhishthira’s mortal weakness is that once
he starts playing, he cannot stop. He is
a degenerate gambler.
The Kauravas exploit this weakness of Yudhishthira. He first loses valuables, land, jewels, and
all his possessions, but still doesn’t stop playing. Goaded on by Shakuni, Yudhishthira then
gambles away his brothers, one by one, and finally himself. When he thinks he has lost everything, then
Shakuni asks him if he wants to play one last time by gambling something he has
not yet gambled – his wife, Draupadi.
The desperate Yudhishthira agrees and loses Draupadi.
Draupadi’s
Horror
Drunk with their success, the Kauravas decide to use this
opportunity to humiliate the Pandavas.
Duryodhana asks his charioteer to summon Draupadi to the court as a
slave of the Kauravas. She is amazed at
the news, and asks a legal question
of the assembly: whether, Yudhishthira having lost himself, could stake his
wife when he was no longer free.
Duryodhana, in response, asks the charioteer to tell Draupadi to come to
the assembly and ask the question herself.
Draupadi refuses, at which point Duryodhana asks his brother Dussasana
to bring Draupadi to the assembly, using force if necessary.
Draupadi, on seeing Dussasana approach her, tries to run to
the female chambers of Dhritarashtra’s queen Gandhari, but Dussasana drags her
by her hair and brings her to the assembly.
In the assembly Draupadi, weeping, asks her question of the elders:
whether, having lost himself to Shakuni, Yudhishthira could stake Draupadi.
The
Debate in the Assembly
To this, the patriarch Bhishma responds (Ganguli, Sabha
Parva, p. 129): “O blessed one, morality is subtle. I therefore am unable to decide this point
that thou has put, beholding that on the one hand one that hath no wealth
cannot stake the wealth belonging to others, while on the other hand wives are always under the orders and at the disposal of their
lords. Yudhishthira can abandon the
whole world full of wealth, but he will never sacrifice morality. The son of Pandu hath said, 'I am won.' Therefore, I am unable to decide this matter.
Shakuni hath not his equal among men at dice-play. The son of Kunti still voluntarily staked
with him. The illustrious Yudhishthira
doth not himself regard that Shakuni hath played with him deceitfully. Therefore, I cannot decide this point.”
This is followed by a protest from Vikarna, one of
Duryodhana’s younger brothers, who states his viewpoint that because of
Draupadi’s objection that Yudhishthira was no longer a free man when he staked
Draupadi, as well as a second point that Draupadi did not belong to
Yudhishthira alone, being the common wife of all the brothers, and so could not be
staked by Yudhishthira alone.
The matter is finally settled by Karna, who states that
since Yudhishthira had lost all his possessions to Shakuni, he had already lost
Draupadi, whether or not he staked her explicitly. He further states that even the clothes on
the Pandavas and on Draupadi belong to the Kauravas, and if the Kauravas order
it, the Pandavas should remove them. He
asks Dussasana to remove Draupadi’s robes as well. The Pandavas do not object to any of this,
but remove their own upper garments in response. Dussasana proceeds to remove Draupadi’s
single robe in which she is dressed.
What is supposed to have happened, according to the epic, is
that as Dussasana tried to remove Draupadi’s robe, new robes kept magically
appearing and he was unable to disrobe her because she was praying to Lord Krishna
to help and he gave her divine help. (What actually happened might have been much worse for Draupadi; but we will never know, since history is written by the victors, and the Pandavas, understandably, would not have wanted history
to record events that portrayed an indignity to their wife any worse than this.)
Nevertheless, let us take the events as they are recorded,
and see what they tell us about the society of those days.
The
Status of Women in the Society of the Mahabharata
Note that in all these debates in
the assembly, no one (including Draupadi) asks whether a husband has any right
to gamble away his wife! Even the wise
Bhishma, who knows the Law (Dharma) better than anyone else, says that “wives
are always under the orders and at the disposal
of their lords.”
Draupadi’s own argument is not whether Yudhishthira has any right to stake her, but rather the technical point of whether, having lost himself, he could stake her. Karna’s argument also appears to have force according to the rules of the day (for no one disputes it) – that if Yudhishthira had lost everything he owned, including himself and his brothers, his wife is automatically lost, being counted as one of his possessions.
Draupadi’s own argument is not whether Yudhishthira has any right to stake her, but rather the technical point of whether, having lost himself, he could stake her. Karna’s argument also appears to have force according to the rules of the day (for no one disputes it) – that if Yudhishthira had lost everything he owned, including himself and his brothers, his wife is automatically lost, being counted as one of his possessions.
Look at poor Draupadi’s plight. Having been lost by her husband in a game of
dice, she had absolutely no legal recourse.
Dussasana, who disrobed her in the assembly, and perhaps worse too,
would have been guilty of no crime under the laws of those days, because he was
only doing all this with a slave of his, and slaves had no rights. They belonged to their master, who could do
what they pleased with their slaves.
(Remember the abuses meted out to black women during the period of
slavery in American history – their owners regularly used them for sex when
they wanted it.)
Yudhishthira
the Just
The real criminal in this entire episode, and the real
reason for all the heartburn and the eventual war in the Mahabharata, is not
Duryodhana, Dussasana, or Karna; for they only behaved as a master was allowed
to behave with his slaves in those days; but the degenerate gambler husband,
Yudhishthira, who doomed his wife to a life of slavery (even if, fortunately,
only for a short period) because of his addiction to gambling. But here is the rub: this act of abandoning
his wife to such cruel people is not even considered an offense by the gods of
those days.
In the final chapter of the Mahabharata, the five Pandavas
and Draupadi attempt to ascend directly to heaven in human form. Yudhishthira is the only one who succeeds,
the others having fallen and died in the journey as a consequence of their
various imperfections; but even he has to spend a sixteenth portion of a day in
hell as a penalty for his sins – but the sins do not include abandoning his
wife in the game of dice. The only sin
that is counted against Yudhishthira is his having lied on the battlefield about
Aswatthama, his preceptor Drona’s son, having died.
The abandonment of one’s wife is considered
to be insignificant, an offense so minor that it pales in comparison with
uttering a lie. In his assembly reply to
Draupadi, even Bhishma doesn’t fault Yudhishthira’s morality for staking his
wife – instead he praises Yudhishthira for his “morality.” Abandoning your wife did not affect your
moral standing in those days.
Married
to Five Men - Willingly?
One should also remember the way Draupadi was married off to
the five brothers. At the swayamvara of
Draupadi, it was Arjuna who executed the difficult feat set for the winner who
would take Draupadi as a wife. When they
came home, Yudhishthira said to his mother, “Look, mother, what alms we have
gotten today!” And their mother, Kunti,
who had not seen Draupadi with the brothers, simply said, “Whatever it is,
share it equally among yourselves.” A
casual comment like that, said in ignorance, was treated as an order, and the
five brothers decided to wed Draupadi together.
In the entire discussion that follows with Draupadi’s father, Drupada,
not once does anyone ask Draupadi if she has an opinion about the matter – that
she was to be shared by five men. There
is an extensive discussion on whether five brothers marrying one woman would be
committing a sin, and when Drupada is relieved of that concern, he gives his
assent to the wedding. Whether Draupadi
cares about her body being shared is no one’s concern.
(I should add here that Satya Chaitanya has argued, reasonably convincingly, that Draupadi’s silence during this entire episode is completely at odds with her generally vocal and assertive nature elsewhere in the epic, and suggests that Vyasa whitewashed some portions of the epic to remove content that would have been unacceptable to the society of his times, such as Draupadi’s objections to this arrangement.)
(I should add here that Satya Chaitanya has argued, reasonably convincingly, that Draupadi’s silence during this entire episode is completely at odds with her generally vocal and assertive nature elsewhere in the epic, and suggests that Vyasa whitewashed some portions of the epic to remove content that would have been unacceptable to the society of his times, such as Draupadi’s objections to this arrangement.)
In addition to having to physically compromise herself in
this way, poor Draupadi also has to be the butt of offensive taunts, such as
the one Karna throws at her in the assembly after she has been gambled away: “The
gods have ordained only one husband for one woman. This Draupadi, however, hath many
husbands. Therefore, certain it is that
she is an unchaste woman. To bring her,
therefore, into this assembly attired though she be in one piece of cloth –
even to uncover her is not at all an act that may cause surprise.” Draupadi pays for the foolishness of her
husbands who trap her in this unconventional marriage that is not fully
accepted even in their society – by men who were therefore duty-bound to
protect her – but whose failure to do so is not counted as a sin or a failure
in the epic.
Conclusion
So, while it is easy to talk about the gang rape victims in
India and compare them to Draupadi, remember that in the age of Draupadi, women
had no rights. They were treated as
chattel to be used at their fathers’ and husbands’ whims. At least, in today’s India, women have some
rights, and they don’t belong to their husbands.
Violence occurs today as well against women, but at least it
is regarded as a crime. Even if Dussasana
had raped Draupadi in the assembly hall, the nobles assembled in the court
wouldn’t have even filed their society’s equivalent of an FIR.
After all, she was their slave.
But, in the end, though, Draupadi did have the last
laugh. Bhima tore out Dussasana’s heart
in the great battle, tore out his arms that had dragged Draupadi by the hair, drank
the blood from Dussasana’s still-beating heart, broke Duryodhana’s thighs and
killed him.
Those who insulted Draupadi paid for the insults with their
lives. Draupadi may not have had legal
recourse for the insults done to her, but most rape victims today would be
delighted if they could get that kind of revenge on the men who raped them. One could argue that the FIRs they file
against their rapists aren’t worth the paper they are written on, and they
would any day trade them for a good old eye-for-an-eye, the way Draupadi handed
it to Dussasana and Duryodhana.
But then, you need a husband like Bhima. Any qualified volunteers?
References
Ganguli, K.M., The Mahabharata – Translated into English
Prose from the Original Sanskrit Text, Munshiram Manoharlal Publishers Pvt.
Ltd., 2002 (Original Publication 1883-1896).
Online at http://www.sacred-texts.com/hin/m01/index.htm
Acknowledgements
I would like to thank my wife, Sandhya, for reading a draft
of this article and giving valuable comments that, in my estimation, have helped improve this article.